0644 GMT July 02, 2020
The research, published in the journal Antiquity, examined the unusual art from the Yilbilinji rock-shelter at Limmen National Park in the southwest Gulf of Carpentaria region of northern Australia, miragenews.com reported.
Traditionally owned by the Marra Aboriginal people, the site was documented by the research team in 2017 and instantly stood out as unique.
“It’s the size of the rock art that makes this site unusual and highly distinctive,” said Flinders University archaeologist ARC Future Fellow Dr. Liam Brady.
“Typically, stenciled rock art around the globe features full or life-sized dimensions such as human and animal body parts, objects (e.g. boomerangs), and even plant matter.
“However, many of the stencils at Yilbilinji are tiny or miniature-sized, and too small to have been made using real-life body parts and full-size objects.”
Only two other examples of this miniature stenciled form of rock art, both human figures, are known from anywhere in the world: One at Nielson’s Creek in New South Wales, and one at Kisar Island in Indonesia.
The research team — archaeologists, anthropologists, Marra rangers, and Limmen National Park rangers — recorded a total of 17 images of these miniature stencils during a 2017 field trip.
The images depict a wide range of motifs including, human figures, animals (crab, long-necked turtles), kangaroo paws, wavy lines, boomerangs, and geometric shapes.
The researchers set out to find out how these unusual images were made. One clue came from the fact most of the miniature stencils were made with rounded and curved edges meaning they were probably made using something that could be easily molded and stuck to the rock surface.
Another clue came from anthropological research in the region. Coauthor and anthropologist Dr. John Bradley, from the Monash Indigenous Centre, has worked with Aboriginal people in the study area for more than 40 years.
He remembers seeing beeswax used by people for a range of purposes such as an adhesive for repairing spears and harpoons. He also saw children shaping beeswax into objects and animals such as cattle, horses and cowboys.
“Using these clues, the researchers decided to test if beeswax could have been used to make the miniature stencils,” he said.
“Our experiments involving heating and shaping beeswax into human figures, animals, objects, and geometric shapes, and then stenciling onto a rock slab confirmed beeswax was an excellent material for making miniature stencils.”
“Whoever made these miniature stencils — adults or children — is open for debate, as is their meaning,” said Matthew Flinders Fellow Professor Amanda Kearney.
“However, what is important here is that this discovery adds another dimension to the Australian and global rock art record,” she said.
In fact, since this discovery was made, three additional stencils have been discovered in the area – a human figure, an echidna and a freshwater turtle – which further highlights the archeological potential at Limmen National Park.